Photograph: Eddie Sanderson/Getty Images 11 Resurrection Shuffle (1971) Jones had first heard this on Jerry Lee Lewis’s 1965 LP Country Songs for City Folks, which proved to be hugely influential on him.Īt home in Beverly Hills in 1980. Quite why a Welshman was so convinced he could handle Americana will remain a mystery, but Jones – somehow, because goodness knows his accent wasn’t suited to the spoken word section – pulled it off. Here he takes on Otis Redding and earns respect. The bands were routinely fantastic and Jones was in his element, much tougher than he was in the studio. Hard to Handle (live) (1969)Īny Jones album recorded in the first decade of his career with the word “live” is worth hearing. This Dr John cover concludes one of the worst Jones albums and – all sweaty and funky – appears to have been flown in from another record. The 70s and 80s were not, by and large, golden eras for Jones the recording artist – too much bad MOR country – but there were occasional gems.
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The A-side was Howlin’ Wolf’s Evil, but the B-side, a spare and haunted take on the betrayal ballad, was the keeper. Lo and behold, Jack White duly took an interest, and Jones recorded a single for Third Man with White producing. Bob Dylan’s What Good Am I? was the statement track, but this version of John Lee Hooker’s Burning Hell was more remarkable, casting Jones the Voice as the White Stripes of the valleys. Praise & Blame was the first of three albums produced by Ethan Johns that took Jones out of Vegas and insisted he be treated as an artist. This version of the Larry Williams stomper is a thrill. Their joint album steered Jones back towards R&B without any modern affectations. Slow Down (2004)Įveryone has had a bash at rehabilitating Tom Jones this century and Jools Holland’s was one of the best. It’s a shade over two minutes that’s absolutely irresistible – not an overpowering performance, but a record that’s perfectly constructed to deliver a shot of adrenaline. Hide and Seek (1969)Ī B-side that has become a collectible Northern Soul classic, Hide and Seek is all thrusting brass, twanging guitar and Jones sounding like he’s having fun.
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On this Italian hit, with English lyrics by Leiber and Stoller, he defies you to suggest that maybe he is laying it on a bit thick. Give him something florid and overblown, though, and he’s devastating. Jones’s voice – roughly, a constipated bull rhino who has mistakenly been given Viagra – isn’t always great on ballads because it expands to fill every available space. The metaphor is obvious, but the song is undeniable. But best of all was this sombre, southern soul rereading of a Bruce Springsteen ballad about a veteran fighter. But overall, Greatest Hits Rediscovered is a fair reflection of an impressive body of work which cements Jones' reputation as one of the most powerful and enduring singers of his generation.Tom Jones’s 2008 album 24 Hours was a mixed bag, with cheery efforts to recapture his swinging mojo (If He Should Ever Leave You) and a song from Bono and the Edge (Sugar Daddy). But of course the disc is dominated by his most successful recent project, 1999's covers album, Reload, with four of its five singles included here, the best of which is the Cardigans duet "Burnin' Down the House," and the Mousse T remix of "Sex Bomb." The live cover version of Little Richard's "Bama Lama Bama Loo" is a rather random inclusion, as is the "Full Monty Brits Medley" with Robbie Williams, especially considering several of his Top Ten hits are omitted. The funky Art of Noise collaboration, "Kiss," is a rare example of a Prince cover which doesn't detract from the original, the pulsating "Stoned in Love" is a successful foray into anthemic dance with producer Chicane, while the recent brass-led "Give a Little Love" is his best entirely solo single since his Las Vegas heyday.
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Alongside his two number ones and string of Top Ten '60s/'70s singles, the hits package also showcases the reinventions that have prolonged his career far longer than most of his contemporaries. With 29 tracks spread over two discs, it's certainly his most comprehensive hits package, taking in everything from his classic karaoke standards "What's New Pussycat," "Green Green Grass of Home," and "Delilah" right up to his most recent career rejuvenation, the critically acclaimed back-to-basics Praise & Blame album, from which two tracks, "Burning Hell" and "What Good Am I," appear. pop artist, Welsh crooner Tom Jones has scored Top Five albums and singles in every decade since his '60s debut chart-topper "It's Not Unusual." Greatest Hits Rediscovered is, incredibly, his eighth compilation to chart, only highlighting how extensive his back catalog is. Responsible for perhaps more comebacks than any other U.K.